Hi-Res / FLAC Tracks / 24bit / 96kHz | CD-Quality / FLAC Tracks / 16bit / 44.1kHz Willie Nelson – I Don’t Know A Thing About Love: The Songs of Harlan Howard (2023) Continue reading “Erich Kunzel / Cincinnati Pops Orchestra – Scary Music (2002) ” Author Your_SACD Posted on MaCategories Classical, Soundtrack / Score Tags Erich Kunzel Leave a comment on Erich Kunzel / Cincinnati Pops Orchestra – Scary Music (2002) Elvis Costello – Albums Collection (1977-2022)
But this time, Kunzel doesn’t raid the classical music field for material, preferring to stick with film music, television ditties, and the Top 40. Now that a sequel has come from the haunted house - er, the Cincinnati Music Hall - they merely state what they hope will be the obvious, Scary Music. The first time Erich Kunzel & the Cincinnati Pops made a symphonic Halloween album, they called it Chiller. Label: Telarc Surround | EU | Cat#: SACD-60580 | Genre: Classical, Soundtrack Continue reading “Erich Kunzel / Cincinnati Pops Orchestra – Vintage Cinema (2008) ” Author Your_SACD Posted on MaMaCategories Classical, Soundtrack / Score Tags Erich Kunzel Leave a comment on Erich Kunzel / Cincinnati Pops Orchestra – Vintage Cinema (2008) Erich Kunzel / Cincinnati Pops Orchestra – Scary Music (2002) Įrich Kunzel / Cincinnati Pops Orchestra – Scary Music (2002) Telarc’s Vintage Cinema, featuring Erich Kunzel and the Cincinnati Pops Orchestra, is a survey of classic film score music from the period commonly recognized as the finest for film music, stretching from Max Steiner’s groundbreaking score for King Kong (1933) to Franz Waxman’s valedictory Taras Bulba (1962). Label: Telarc | US | Cat#: SACD-60708 | Genre: Soundtrack, Score & Classical Stereo & Multichannel | Basic Scans Included
And Mobb Deep’s Prodigy delivers on the threat with his astonishing first verse: “Rock you in your face, stab your brain with your nose bone…” It’s the kind of thing that should get you locked up for life.Erich Kunzel / Cincinnati Pops Orchestra – Vintage Cinema (2008) It’s the sound of a looming threat that could exist in any era. II” so timeless is that it’s also somewhat generic. II,” Mobb Deep’s Havoc combined three equally mercurial jazz samples: Herbie Hancock’s “Jessica,” “Daly-Wilson Big Band’s “Dirty Feet” and Quincy Jones “Kitty With The Bent Frame.” The songs are so obscure (at least to hip hop fans), their presence in the track remained somewhat of a mystery for a decade and a half. II.” That slow drum beat and those sirens seemingly ripped out of a horror film. There’s something immediately terrifying about “Shook Ones, Pt.
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